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<\/div>\r\nTechnika hry na bic\u00ed soupravu II. \u2013 World of Drumset Rudiments<\/h3>\r\n
Rok vyd\u00e1n\u00ed 2002, \u010desko-anglick\u00e1 verze, ISBN-80-238-8043-8, ISMN M-66051-193-0<\/p>\r\n
Obsahem druh\u00e9ho d\u00edlu je jednak roz\u0161\u00ed\u0159en\u00ed tematick\u00fdch celk\u016f uveden\u00fdch v d\u00edle prvn\u00edm, ale p\u0159edev\u0161\u00edm jsou zde prezentov\u00e1ny relevantn\u00ed z\u00e1klady v\u011bd\u011bn\u00ed o h\u0159e na bic\u00ed n\u00e1stroje v\u010detn\u011b \u0161irok\u00e9 \u0159ady technick\u00fdch prvk\u016f \u2013 Standard 26 American Drum Rudiments a Percussive Arts Society International Drum Rudiments; tedy fenom\u00e9n\u016f vych\u00e1zej\u00edc\u00edch ze standardn\u00edch metodick\u00fdch postup\u016f praktikovan\u00fdch v kol\u00e9bce bic\u00edch n\u00e1stroj\u016f, u n\u00e1s v\u0161ak problematiky dosud pom\u011brn\u011b nezn\u00e1m\u00e9.<\/p>\r\n
N\u011bkter\u00e9 z t\u011bchto rytmick\u00fdch fr\u00e1z\u00ed byly pou\u017e\u00edv\u00e1ny p\u0159i vojensk\u00fdch pochodech arm\u00e1dn\u00edch sbor\u016f ji\u017e v uplynul\u00fdch stalet\u00edch, v\u016fbec v\u0161ak neznamen\u00e1, \u017ee by tyto prvky byly zastaral\u00e9 a v sou\u010dasnosti ur\u010deny pouze k t\u011bmto \u00fa\u010del\u016fm. Ve skute\u010dnosti jde o s\u00e9rie standardn\u00edch \u010di progresivn\u00edch rukoklad\u016f, v\u010detn\u011b p\u0159\u00edrazov\u00fdch not a v\u00ed\u0159en\u00ed, kter\u00e9 podstatn\u00fdm zp\u016fsobem vytv\u00e1\u0159ej\u00ed strukturu hr\u00e1\u010dsk\u00fdch dovednost\u00ed. V novodob\u00e9 historii techniky hry na bic\u00ed n\u00e1stroje tak z\u00edskaly tyto aplikace, zejm\u00e9na hra dvojit\u00fdch \u00fader\u016f a variace paradiddle, bezkonkuren\u010dn\u011b nejv\u00fdznamn\u011bj\u0161\u00ed posun v modern\u00edm interpreta\u010dn\u00edm um\u011bn\u00ed.<\/p>\r\n
Rovn\u011b\u017e v t\u00e9to publikaci jsou materi\u00e1ly \u010dlen\u011bny do jednotliv\u00fdch kapitol s jejich podskupinami, prost\u0159ednictv\u00edm kter\u00fdch se zab\u00fdv\u00e1m problematikou techniky ovl\u00e1d\u00e1n\u00ed kon\u010detin a zejm\u00e9na interpretace rudiment\u00e1rn\u00edch prvk\u016fv dan\u00fdch rytmick\u00fdch p\u00e1smech a dynamick\u00fdch intenzit\u00e1ch. Krom\u011b pokra\u010dov\u00e1n\u00ed a roz\u0161\u00ed\u0159en\u00ed t\u00e9mat z prvn\u00edho d\u00edlu, jako kapitol rytmick\u00fdch stupnic, ped\u00e1lov\u00e9 techniky, koordina\u010dn\u00edch rozklad\u016f, hry takt\u016f s lich\u00fdm po\u010dtem dob, variac\u00ed v\u00ed\u0159en\u00ed a \u00fader\u016f paradiddle, je v po\u010d\u00e1te\u010dn\u00edch \u010d\u00e1stech pozornost soust\u0159ed\u011bna na kombinace akcentovan\u00fdch a neakcentovan\u00fdch \u00fader\u016f st\u0159\u00eddav\u00fdch, dvojit\u00fdch, n\u011bkolikan\u00e1sobn\u00fdch a v\u00ed\u0159iv\u00fdch. Posl\u00e9ze se zab\u00fdv\u00e1m rudiment\u00e1rn\u00edmi prvky s p\u0159\u00edrazov\u00fdmi notami, kter\u00e9 rovn\u011b\u017e mohou b\u00fdt velmi cenn\u00e9, zvl\u00e1\u0161t\u011b p\u0159i s\u00f3lov\u00e9 h\u0159e. Jsou rozd\u011bleny na variace p\u0159\u00edraz\u016fjednoduch\u00fdch a dvojit\u00fdch vle\u010dn\u00fdch, p\u0159\u00edp. st\u0159\u00eddav\u00fdch; trojit\u00fdch st\u0159\u00eddav\u00fdch, \u010dty\u0159n\u00e1sobn\u00fdch vle\u010dn\u00fdch, ale rovn\u011b\u017e v kombinac\u00edch s \u00fadery paradiddle. Vzhledem k tomu, \u017ee u n\u011bkter\u00fdch origin\u00e1ln\u00edch ozna\u010den\u00ed by mohl b\u00fdt jazykov\u00fd p\u0159eklad dosti sporn\u00fd, mnoh\u00e9 n\u00e1zvy jsou ponech\u00e1ny v p\u016fvodn\u00edm zn\u011bn\u00ed.<\/p>\r\n
Jedn\u00e1 se tedy nejen o aktu\u00e1ln\u00ed p\u0159ehled t\u011bchto nezbytn\u00fdch prvk\u016f, n\u00fdbr\u017e tak\u00e9 modern\u00ed aplikaci jejich z\u00e1kladn\u00edch i reverzn\u00edch variac\u00ed pro pot\u0159eby modern\u00ed hry na soupravy bic\u00edch n\u00e1stroj\u016f. Nutno dodat, \u017ee cvi\u010den\u00ed nejsou pouh\u00fdm taxativn\u00edm v\u00fd\u010dtem rytmick\u00fdch mo\u017enost\u00ed, ale jsou zam\u011b\u0159ena prakticky s ohledem na po\u017eadavky soudob\u00e9 hry a z\u00e1rove\u0148 se zna\u010dnou d\u00e1vkou stylov\u00e9 i dynamick\u00e9 variability, jejich\u017e pot\u0159ebu mnoh\u00e9 dne\u0161n\u00ed hudebn\u00ed situace p\u0159in\u00e1\u0161ej\u00ed.<\/p>\r\n
Spolu s prvn\u00edm d\u00edlem jde o nejen na dom\u00e1c\u00edm, ale rovn\u011b\u017e evropsk\u00e9m trhu ojedin\u011blou, nad\u017e\u00e1nrov\u011b zam\u011b\u0159enou dvojjazy\u010dnou cvi\u010debn\u00ed systematiku hry na soupravu bic\u00edch n\u00e1stroj\u016f, kter\u00e1 je ur\u010dena hr\u00e1\u010d\u016fm s v\u00e1\u017en\u00fdm z\u00e1jmem o hru, nejl\u00e9pe student\u016fm hudebn\u00edch \u0161kol. S ohledem na p\u016fvodn\u00ed odbornou terminologii je pr\u00e1v\u011b jim ur\u010dena v\u00fdhradn\u011b anglick\u00e1 mutace tohoto vyd\u00e1n\u00ed s podtitulem The Encyclopedia of Technique and Groove. V p\u0159\u00edpad\u011b samostudia je ov\u0161em z\u00e1hodno ovl\u00e1dat n\u00e1stroj alespo\u0148 na z\u00e1kladn\u00ed \u00farovni, nebot\u2019 m\u00edra obt\u00ed\u017enosti u n\u011bkter\u00fdch cvi\u010den\u00ed je pom\u011brn\u011b vysok\u00e1. Z\u00e1v\u011brem nezb\u00fdv\u00e1 ne\u017e doporu\u010dit pe\u010dliv\u00e9 studium jednotliv\u00fdch kapitol, v\u010detn\u011b v\u0161eobecn\u00fdch pravidel, prov\u00e1zej\u00edc\u00edch ve\u0161ker\u00e9 str\u00e1nky t\u00e9to publikace; ale rovn\u011b\u017e speci\u00e1ln\u00ed z\u00e1sady i postupy cvi\u010den\u00ed na jednotliv\u00fdch dvoustran\u00e1ch s jednotaktov\u00fdmi uk\u00e1zkami, p\u0159edstavuj\u00edc\u00ed n\u00e1vod k prov\u00e1d\u011bn\u00ed cvi\u010den\u00ed.<\/p>\r\n
OBSAH PUBLIKACE<\/h3>\r\n
I. P\u0159ehled rudiment\u00e1ln\u00edch prvk\u016f na mal\u00fd buben<\/span><\/p>\r\n A. Prvky s p\u0159\u00edrazov\u00fdmi notami II. Cvi\u010den\u00ed rudiment\u00e1ln\u00edch prvk\u016f<\/span><\/p>\r\n A. Rytmick\u00e9 stupnice III. Rudiment\u00e1ln\u00ed prvky s p\u0159\u00edrazov\u00fdmi notami<\/span><\/p>\r\n A. Variace p\u0159\u00edraz\u016f jednoduch\u00fdch IV. Dal\u0161\u00ed koordina\u010dn\u00ed rozklady<\/span><\/p>\r\n A. Variace paradiddle V. Hra takt\u016f s lich\u00fdm po\u010dtem dob<\/span><\/p>\r\n A. Takt 3\/4 Bonus: Hra doprovodn\u00fdch rytm\u016f<\/span><\/p>\r\n World of Drumset Rudiments<\/span><\/p>\r\n Rok vyd\u00e1n\u00ed 2003, anglick\u00e1 verze byly vyd\u00e1na jako\u017eto propaga\u010dn\u011b-v\u00fdukov\u00fd materi\u00e1l na Mezin\u00e1rodn\u00ed hudebn\u00ed veletrh Frankfurt 2003, pro spole\u010dnost Yamaha CZ.<\/p>","protected":false},"excerpt":{"rendered":" Technika hry na bic\u00ed soupravu II. \u2013 World of Drumset Rudiments Rok vyd\u00e1n\u00ed 2002, \u010desko-anglick\u00e1 verze, ISBN-80-238-8043-8, ISMN M-66051-193-0 Obsahem druh\u00e9ho d\u00edlu je jednak roz\u0161\u00ed\u0159en\u00ed tematick\u00fdch celk\u016f uveden\u00fdch v d\u00edle prvn\u00edm, ale p\u0159edev\u0161\u00edm jsou zde prezentov\u00e1ny relevantn\u00ed z\u00e1klady v\u011bd\u011bn\u00ed o h\u0159e na bic\u00ed n\u00e1stroje v\u010detn\u011b \u0161irok\u00e9 \u0159ady technick\u00fdch prvk\u016f \u2013 Standard 26 American Drum […]","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53"}],"version-history":[{"count":4,"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":393,"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions\/393"}],"wp:attachment":[{"href":"https:\/\/www.romankobiela.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
B. Prvky s paradiddle
C. Prvky s v\u00ed\u0159en\u00edm<\/p>\r\n
B. \u010cten\u00ed rytmick\u00fdch kombinac\u00ed
C. Rytmick\u00e9 stupnice v\u00ed\u0159iv\u00fdch \u00fader\u016f
D. Pokro\u010dil\u00e9 \u010dten\u00ed rytmick\u00fdch kombinac\u00ed
E. Noty akcentovan\u00e9 i neakcentovan\u00e9 a v\u00ed\u0159en\u00ed
1. Osminov\u00fd z\u00e1pis
2. Triolov\u00fd z\u00e1pis
3. Kombinovan\u00e1 rytmick\u00e1 p\u00e1sma
F. Variace paradiddle a p\u0159\u00edpravn\u00e9 rukoklady
1. Paradiddle jednoduch\u00e9 a trojit\u00e9
2. Paradiddle jednoduch\u00e9 a nepravideln\u00e9
3. Paradiddle nepravideln\u00e9
4. Paradiddle dvojit\u00e9 a nepravideln\u00e9
G. Kombinace n\u011bkolikan\u00e1sobn\u00fdch \u00fader\u016f
1. \u0161estn\u00e1ctinov\u00fd z\u00e1pis
2. Triolov\u00fd z\u00e1pis<\/p>\r\n
1. Osminov\u00fd z\u00e1pis
2. Triolov\u00fd z\u00e1pis
3. Triolov\u00fd z\u00e1pis \u2013 \u201eSwiss Army Triplet Notes\u201c
B. Variace p\u0159\u00edraz\u016f dvojit\u00fdch
1. Osminov\u00fd z\u00e1pis
2. Triolov\u00fd z\u00e1pis
C. Variace paradiddle s p\u0159\u00edrazy jednoduch\u00fdmi
1. Paradiddle jednoduch\u00e9, trojit\u00e9 a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed
2. Paradiddle dvojit\u00e9, nepravideln\u00e9 a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed
D. Variace paradiddle s p\u0159\u00edrazy dvojit\u00fdmi
1. Paradiddle jednoduch\u00e9, trojit\u00e9 a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed
2. Paradiddle dvojit\u00e9, paradiddlediddle a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed<\/p>\r\n
1. Paradiddle jednoduch\u00e9, trojit\u00e9, nepravideln\u00e9 a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed
2. Paradiddle dvojit\u00e9, nepravideln\u00e9 a p\u0159\u00edpravn\u00e1 cvi\u010den\u00ed
B. Variace rozklad\u016f s \u00fadery jednoduch\u00fdmi, dvojit\u00fdmi a trojit\u00fdmi<\/p>\r\n
1. Pokro\u010dil\u00e9 \u010dten\u00ed rytmick\u00fdch kombinac\u00ed
2. Variace paradiddle \u2013 \u0161estn\u00e1ctinov\u00fd z\u00e1pis a hra shuffle
3. Variace paradiddle \u2013 \u0161estn\u00e1ctinov\u00fd triolov\u00fd z\u00e1pis
4. Noty akcentovan\u00e9 a neakcentovan\u00e9 \u2013 \u0161estn\u00e1ctinov\u00fd triolov\u00fd z\u00e1pis
B. Takt 6\/8
1. Pokro\u010dil\u00e9 \u010dten\u00ed rytmick\u00fdch kombinac\u00ed
2. Variace paradiddle dvojit\u00fdch a nepravideln\u00fdch \u2013 hra shuffle
C. Takt 5\/4
1. Noty akcentovan\u00e9 a neakcentovan\u00e9 \u2013 \u0161estn\u00e1ctinov\u00fd z\u00e1pis a shuffle<\/p>\r\n